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Metternich - Nobile - Metternich. Patronage as a relationship with a changing constant
Petrasová, Taťána
This paper examines the authorship of an artwork as the result of patronage in which the social capital of both participants - the artist and his patron - changes. Initially Metternich drew on the symbolic capital held by the Italian architect, who had studied in Rome. Later the balance of their relationship was reversed. The variable element in this patronage was the imbalance between how the patron and artist benefitted from their social capital - one in terms of representation, and the other in terms of success on the art market.

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